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	<title>Comments on: How Anime Comedy Has Changed</title>
	<atom:link href="http://www.wolfhurricane.com/2009/03/13/how-anime-comedy-has-changed/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.wolfhurricane.com/2009/03/13/how-anime-comedy-has-changed/</link>
	<description>BEATORICHE was here!</description>
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		<title>By: Yamcha</title>
		<link>http://www.wolfhurricane.com/2009/03/13/how-anime-comedy-has-changed/comment-page-1/#comment-1800</link>
		<dc:creator>Yamcha</dc:creator>
		<pubDate>Sat, 14 Mar 2009 22:15:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.wolfhurricane.com/?p=1423#comment-1800</guid>
		<description>@IKnight: I&#039;m aware that Sgt. Frog is also heavily referential but opted to leave it off because I&#039;m not familiar enough with it. My personal measure of a show&#039;s success is by the perceived number of fans and whether or not it still gets discussed after its run ends. When talking about funny comedy moments with others, I&#039;m more inclinded to name drop referential comedies than regular comedies. You made me think too much on this comment. After posting this I&#039;ll find myself unhappy with it and come back a couple hours later for an edit.

@Baka-Raptor: For your graph I&#039;d start the red line higher than the blue line and make the slope steeper. Referential humor has higher highs and lower lows to me. I&#039;ve been hearing some fuss over Krauser-tan moe in Detroit Metal City, so it will get added to my always expanding backlog.</description>
		<content:encoded><![CDATA[<p>@IKnight: I&#8217;m aware that Sgt. Frog is also heavily referential but opted to leave it off because I&#8217;m not familiar enough with it. My personal measure of a show&#8217;s success is by the perceived number of fans and whether or not it still gets discussed after its run ends. When talking about funny comedy moments with others, I&#8217;m more inclinded to name drop referential comedies than regular comedies. You made me think too much on this comment. After posting this I&#8217;ll find myself unhappy with it and come back a couple hours later for an edit.</p>
<p>@Baka-Raptor: For your graph I&#8217;d start the red line higher than the blue line and make the slope steeper. Referential humor has higher highs and lower lows to me. I&#8217;ve been hearing some fuss over Krauser-tan moe in Detroit Metal City, so it will get added to my always expanding backlog.</p>
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		<title>By: Baka-Raptor</title>
		<link>http://www.wolfhurricane.com/2009/03/13/how-anime-comedy-has-changed/comment-page-1/#comment-1795</link>
		<dc:creator>Baka-Raptor</dc:creator>
		<pubDate>Fri, 13 Mar 2009 20:57:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.wolfhurricane.com/?p=1423#comment-1795</guid>
		<description>It&#039;s easy to get a laugh out of referential humor, but there&#039;s a limit to the number of people who&#039;d get it (inside jokes are a perfect example). &lt;a href=&quot;http://www.baka-raptor.com/porn/referential_graph.PNG&quot; rel=&quot;nofollow&quot;&gt;The general form looks something like this&lt;/a&gt;.

For an awesome non-&quot;hardcore&quot; comedy, check out Detroit Metal City.</description>
		<content:encoded><![CDATA[<p>It&#8217;s easy to get a laugh out of referential humor, but there&#8217;s a limit to the number of people who&#8217;d get it (inside jokes are a perfect example). <a href="http://www.baka-raptor.com/porn/referential_graph.PNG" rel="nofollow">The general form looks something like this</a>.</p>
<p>For an awesome non-&#8221;hardcore&#8221; comedy, check out Detroit Metal City.</p>
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		<title>By: IKnight</title>
		<link>http://www.wolfhurricane.com/2009/03/13/how-anime-comedy-has-changed/comment-page-1/#comment-1794</link>
		<dc:creator>IKnight</dc:creator>
		<pubDate>Fri, 13 Mar 2009 20:30:41 +0000</pubDate>
		<guid isPermaLink="false">http://www.wolfhurricane.com/?p=1423#comment-1794</guid>
		<description>How are we judging success? If we say that &lt;em&gt;Hayate&lt;/em&gt; is successful among English-speaking anime fans who are present on the &#039;net, aren&#039;t we just saying &#039;comedy anime aimed at people who are likely to get obscure references is successful among people who are likely to get obscure references&#039;? I&#039;m thinking of Brack&#039;s comment &lt;a href=&quot;http://afterimage.bateszi.net/2009/03/12/generic-anime/#comment-830&quot; rel=&quot;nofollow&quot;&gt;here&lt;/a&gt;, in which he suggests that &lt;em&gt;TTGL&lt;/em&gt; lost out to &lt;em&gt;Pretty Cure&lt;/em&gt; and that &lt;em&gt;Toradora&lt;/em&gt; is only popular among (bluntly) unpopular people.

I&#039;ve heard it suggested that anime companies have been moving towards producing more late-night content focused precisely at the slightly obsessive, merchandise-buying, fact-knowing crowd. If there has been a rise in the production rate, rather than success, of this kind of &#039;hardcore comedy&#039;, it might be part of that. I don&#039;t personally know anything about viewing figures or much about air times, so I&#039;m guessing. (Actually, I&#039;m pretty sure I heard that &lt;em&gt;Hayate&lt;/em&gt; is broadcast during the morning?) If you asked me to point to a successful anime comedy, I&#039;d think of &lt;em&gt;Sgt Frog&lt;/em&gt; — which is indeed very referential. Or do we mean &#039;inherent&#039; success — it&#039;s successful because it&#039;s funny?

Anyway, don&#039;t let the questions above give you the impresson that I didn&#039;t like the post — I think it&#039;s a good post on an interesting subject, and one well worth poking with a stick to see what happens. You&#039;ve also reminded me of some pretty funny moments from stuff I&#039;ve seen, which is always good.

&lt;abbr&gt;&lt;em&gt;IKnights last blog post...&lt;a href=&quot;http://animanachronism.wordpress.com/2009/02/28/detroit-metal-city-laughing-on-the-outside-crying-on-the-inside/&quot; rel=&quot;nofollow&quot;&gt;Detroit Metal City: Laughing on the Outside&lt;/a&gt;&lt;/abbr&gt;&lt;/em&gt;</description>
		<content:encoded><![CDATA[<p>How are we judging success? If we say that <em>Hayate</em> is successful among English-speaking anime fans who are present on the &#8216;net, aren&#8217;t we just saying &#8216;comedy anime aimed at people who are likely to get obscure references is successful among people who are likely to get obscure references&#8217;? I&#8217;m thinking of Brack&#8217;s comment <a href="http://afterimage.bateszi.net/2009/03/12/generic-anime/#comment-830" rel="nofollow">here</a>, in which he suggests that <em>TTGL</em> lost out to <em>Pretty Cure</em> and that <em>Toradora</em> is only popular among (bluntly) unpopular people.</p>
<p>I&#8217;ve heard it suggested that anime companies have been moving towards producing more late-night content focused precisely at the slightly obsessive, merchandise-buying, fact-knowing crowd. If there has been a rise in the production rate, rather than success, of this kind of &#8216;hardcore comedy&#8217;, it might be part of that. I don&#8217;t personally know anything about viewing figures or much about air times, so I&#8217;m guessing. (Actually, I&#8217;m pretty sure I heard that <em>Hayate</em> is broadcast during the morning?) If you asked me to point to a successful anime comedy, I&#8217;d think of <em>Sgt Frog</em> — which is indeed very referential. Or do we mean &#8216;inherent&#8217; success — it&#8217;s successful because it&#8217;s funny?</p>
<p>Anyway, don&#8217;t let the questions above give you the impresson that I didn&#8217;t like the post — I think it&#8217;s a good post on an interesting subject, and one well worth poking with a stick to see what happens. You&#8217;ve also reminded me of some pretty funny moments from stuff I&#8217;ve seen, which is always good.</p>
<p><abbr><em>IKnights last blog post&#8230;<a href="http://animanachronism.wordpress.com/2009/02/28/detroit-metal-city-laughing-on-the-outside-crying-on-the-inside/" rel="nofollow">Detroit Metal City: Laughing on the Outside</a></em></abbr></p>
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